A1. It seems to me that through both poetry and nature you are given the opportunity to feel and express your thoughts, emotions and feelings. However, the nature (no pun intended) of human expression does not always tend towards happiness but rather introspection and analysis. John William however, is enamored by the idea that man comes from nature and therefore belongs in nature. He is also no stranger to the idea or expression of poetry – whether literally or through the rhythm (or perhaps lack of rhythm) of his life.
When he enters the wilderness he goes with full knowledge that he is not completely ready to be self-sufficient. I believe he does this both as a test of Neil’s friendship and therefore human relationships and reliance in general and he also does it for the thrill of the immense risk that he is taking on.
John William learns that in order to be completely secluded, he also needs Neil and therefore as he would put it, elements of “Hamburger World”. In the end, I think that nature’s challenges and unpredictability leave him disappointed and betrayed as he realizes that there is nothing and no one who can never let him down. When all is said and done, man was created in nature’s image and both nature and man can be cruel, unpredictable and occasionally exude unconquerable challenges.
Q2. Does his flight from civilization bring John William the spiritual purity he is searching for? Could he have found another way to express his antipathy to the hypocrisy he sees in the ordinary world? To what extent do you think John William’s path to self-destruction was unconsciously motivated by unresolved internal conflicts regarding his class, family, and his vision of himself?
A2. In my opinion, John William’s spiritual journey was, in a sense, doomed from the beginning because he wanted to be purified but he also wanted to know how to do this and he wanted support in it. Whether he admitted it or not, his attachment to both Cindy (in college) and Neil proved that he wanted affirmation that what he was doing was going to lead him to happiness and he had the forlorn hope at some point that they might buy into it as well. However, I think that he knew the answer the whole time - he was and always had been truly alone and because of this could never accept himself as spiritually pure.
There are various ways that John William could have attempted to express his ideas to humanity but I don’t think that any of them would have satisfied John William the way that he thought his solitude would. This masochism and separation from humanity that ultimately lead to his demise were bred from ideals that John William identified with to his very core. He felt betrayed from the very beginning by his distant father and his wacko mother. He learned quickly that for him, money meant the ability to have whatever materialistic object he could fathom and be deprived from all human emotion but loneliness. He was brought up to learn that most of the time he was either a burden or a precocious, rich-kid who had too much time to let his mind wander. He put on his shield of risks, adventures, confidence and bold, if not “out-there” opinions in order to hide the loneliness he was bred to feel.
Q3. How do you feel about Neil’s complicity in enabling John William to escape from the real world? What moral imperatives underlie Neil’s actions? To what extent is Neil guilty of betraying the fundamental ethical obligations he has as a member of society?
A3. To be completely honest, it seems to me that Neil is the reason that John William survived so long. Whether he would’ve perished earlier in his escape or in the “real world” is not a question but a fact. I truly believe that John William would’ve gone crazy in either world and Neil was, in a sense, one of his only ties to sanity.
From Neil’s standpoint, he is morally challenged to either stand by his friend through their brotherhood pact that was sealed by blood or turn him in to the forest service. His morals however, choose the pact to John William and not to society and because of this he forces on himself (whether through friendship, guilt, fear, or a little of all of these feelings) the responsibility of bringing John William supplies, reading materials, and a little bit of the sanity (or possible insanity) of the real world.
Although Neil may be guilty of “betraying the fundamental ethical obligations he has as a member of society” that say he should have turned John William in, he was also abiding by his ethical obligations to his friend. I believe that as long as John William was not hurting anyone but himself, directly, and although his disappearance may have been deceitful, it was probably better for him and Neil knew that. So although he did indeed enable John William in a big way, he also knew that ethically it was allowing him to thrive better than he would’ve in the real world.
Q4. Neil writes, “In the newspaper reports on the Hermit of the Hoh, an abiding derangement is the heart of the matter. That’s wrong.” [p.112]. Does Neil’s account of what happens to John William justify this point of view? Would a more objective observer draw the same conclusion from the evidence Neil Provokes?
A4. I think that Neil’s experience of the situation certainly justifies this statement. Although it is perhaps a little biased, I feel that it is mostly true. Neil saw John William at his best and at his worst, however basically all in an “acceptable” state of mind. Although in fact John William may have had previous mental issues, he allowed himself, willingly in my opinion, to go insane. Neil knew that John William wouldn’t have wanted it any other way and that in some way this was always meant to be. However, I think that a more objective viewer would have tagged John William as a “wack-job” and nothing more – Neil knew better.
Q5. If you have read Into the Wild (or have seen the movie), what similarities do you see between John William and Chris McCandles? What might be some of the diverse reasons, either rational or not, a person could have for abandoning a comfortable life for one filled with risk and danger?
A5. Although I do not remember a lot from the movie Into the Wild, I do see some similarities between Chris McCandles and John William. The first being their discontent with the “real world” and it’s issues. I may be mistaking but I think that the books are both from about the same time period, meaning that they would’ve in some sense experienced the Vietnam War and all of the issues that went along with that. They both came from wealthy families, whose wealth they rejected and they both lived with a sense of reckless abandon and invincibility. They also both eventually went “off their rockers” to some extent. Their confidence and sense of invincibility could both be seen to have let to their demise in a big way.
Q6. How does his upbringing affect John William and lead to the choices that bring his to his solitary end as “Hermit of the Hoh”?
A6. I certainly believe that John William’s upbringing played a big factor in his choice to enter into almost complete solitude. He learned from the beginning that he couldn’t fully depend on or trust anyone, that no one was exactly like him, and that his way of living and thinking were inadequate to that of his ancestors and family. He had in many ways been brought up in intense solitude and so led out his believed destiny as the “Hermit of the Hoh”.
Q7. Neil and John William are brought together by their love of the outdoors and in particular for hiking in unmapped areas. Does John William spur Neil to take risks Neil otherwise would avoid? What aspects of their feelings about risk come to light when they got lost in the forest [pp.29-34]? In what ways do their attitudes about the adventure echo their feelings about their lives in general?
A7. In my opinion, John William definitely draws a sense of risk and adventure out of Neil. It is in his core, but wouldn’t have been brought to the surface without John William’s influence. As Neil talks about, he was silently fearful and perhaps a bit hopeless whereas John William was constantly thinking, pondering and trying to find solutions to any problem they had. These things both strongly reflect their actions in life. Although Neil is often fearful, he suffers in silence and pushes on hoping for the better. John William just wants to find the solution to life.
Q8. Is Neil exploiting his friend in any way?
A8. It doesn’t seem to me that Neil exploits John William or pursues any selfish gain by helping his goal of solitude (although in the end he is rewarded with money). The whole story would indicate though that everything Neil does, he does for his love and responsibility to John William and sometimes his own piece of mind. However, I don’t believe that he exploits John William.
Q9. Is Neil Countryman, generally speaking, a “reliable” narrator? Is he always to be believed?
A9. From the very moment I began reading the book I believed Neil Countryman. Due to this, I may not have scrutinized his truthfulness very closely. I do feel that he is a reliable narrator and that he gives his honest, if occasionally biased, account of the story of the “Hermit of the Hoh” as best he can and in what he sees as the truth.
Q10. Throughout The Other, Neil Countryman refers to John William’s obsession with Gnosticism, a philosophical and religious movement that emerged during the early Christian era. A central theme of its teaching is that the world is imperfect but that each of us has a divine spark within that can ultimately free us from the evils of the material world.
- In what ways does John William’s obsession with Gnosticism enhance your understanding of his motivations and behavior?
A10a. Although I do not know much about Gnosticism and have only briefly read a summary about it, I feel that a little bit of insight into this, helps me to understand why he is the way that he is. His reckless abandon and hate of ignorance become completely clear in light of his Gnostic beliefs. His disregard to the typical way of life creates a life that he deems as more sufficient at arriving at his destiny through Gnosis.
- What other references to literature and philosophy in the novel illuminate the themes Guterson is exploring?
A10b. Throughout the whole novel, Guterson refers to various types of literature, including poetry, novels, academic journals, etc and also refers to different philosophies especially those put out by universities. His mention of various authors and works, one example being Pablo Neruda, give us a whole compass of viewpoints to look at. Through their mention he instrumentally brings our attention to the themes of societal norms, culture, stereotypes, trust, happiness, suffering and of course loneliness.
Q11. Hoes does Guterson portray the Pacific Northwest’s wilderness? Is it a balanced and realistic view? Does he present its dangers, its allures, its beauty?
A11. Guterson portrays the wilderness of the Pacific Northwest as wild, largely uncharted and endlessly beautiful and mysterious. Although I have not experienced many of the areas that he has mentioned, being from the Pacific Northwest myself, I understand his descriptions. I think that he is realistic about it in his description. He mentions the wildlife, including bears, cougars, and elk. He mentions the plant life (even marijuana and shrooms) and he of course mentions the extensive amount of mountain peaks that you find there. Through all of these things, coupled with his personal experiences and obvious reverence for the area, he presents to us the present danger, allures and of course beauty.
Q12. Reflecting back on your own life, have you ever had a friend anything at all like John William, someone who “dropped out” of the mainstream or took the “road not taken” and failed to fulfill his or her potential and promise]
A12. I do not believe that at this point in my life I am able to claim friendship to anyone quite like John William. In little ways I have seen my friends drop out of what I view as “mainstream” or “right” however, not in the same way a John William or even to similar extremes. However, I have definitely experienced people settling for less than they are capable of and not fulfilling their potential. Both my brother and my mother are examples of this type of living. Although they are both very dear to me, they often make decisions that may seem to go against mainstream ideals but unfortunately also do not fulfill their potential. However, on the flipside of this viewpoint, who am I to judge what someone is capable of. If I do, is it true or just simply something that I want to believe to be true?
Q13. To what extent do John William’s activities at Reed [pp. 70-83] as well as his decision to drop out of college reflect the cultural and social milieu of the 1970’s? Does Cindy’s rejection of him mark a significant turning point for John William, or does her rejection simply reinforce John William’s perceptions of the world?
A13. There is no question that John William had some ideas that were radical and sometimes a little off base, however, that was a trend in the 1970’s. In a way I believe that were he to have been a bit less extreme and a bit more social, he would have been in the midst of various radical events in the 1970’s. That is to say that his rebellion against society, his drug-use, his desire and journey to enlightenment were all, in part, common themes of the college student of the 1970’s.
As far as Cindy’s rejection of him, it may have forced his solitary lifestyle to come early, but in my opinion she mostly reinforced his perceptions of the world. He all along would’ve ended up where he was; it may have just taken longer if Cindy would’ve stuck around. However, at the point when she would’ve let him down, things would’ve been over. Therefore it was probably better for them both that she left when she did.
Q14. Writing in the Seattle Times, Mary Ann Gwynn lists several themes for the novel including “attachment vs. alienation; moral behaviors vs. expediency; joy vs. suffering…” Gwynn believes that “The Other” examines the dilemma that has confounded sages and saints for millennia: whether to engage in our tormented world, or turn our faces from it.”
A14. It seems to me that some of the debate to this subject is what is the easy way out? Humans tend to be cognitive and physical misers, in the sense that for the most part, we want to easy road. This is part of the dilemma when discussing whether to engage in torment or attempt to find joy outside of it by escaping. I myself struggle with this duality often in my own life. Thus far I have not found the answer. I am not sure that I ever truly will but I also believe that is how it is supposed to be. Perhaps we must not choose one or the other, but simply embrace the duality and choose how to live each moment and situation. Although we would be out of equilibrium often enough if we did this that people I think just end up choosing to feel one way or the other and some point and never look back.
Q15. Which characters in this book do you find most sympathetic and why?
A15. I think that I am most sympathetic towards Neil, his wife Jamie, Lucy, the old Mrs. Worthington’s estate manager and of course John William. I am sympathetic towards Neil because I am a lot like him in the sense that I am an enabler and I want to help people at all costs. I have empathy for him and his situation. I feel sympathetic towards Jamie because throughout the book a caught myself many times wondering about how she felt about her helplessness in the situation between John William and her husband. Also, although Lucy is an odd choice, I just felt bad for what she had to put up with from Ginnie and also admired her strength in not allowing Ginnie to get most of the things she didn’t deserve. Then there is John William. My heart breaks for him because he just so badly wanted to find his place in the world. He was constantly burdened with the knowledge that he was “not like everybody else” and also he could sometimes take pride in this, it still gets despairing. Although many people would’ve been annoyed or angry at John William, I am simply saddened and empathetic.
Q16. How does The Other compare to other accounts, either fiction or nonfiction, about people who have exiled themselves from society?
A16. I think that exile is a common theme in literature, both fiction and nonfiction. For some reason the only one that I can think of right now is Into the Wild, which we have already discussed and to which I find The Other to bring up some of the same ideas but is not too similar. I will have to reexamine this and revamp my response later.
Q17. Discuss how Guterson’s decision to tell such a story in the form of a novel differs from Krakauer’s nonfiction approach.
A17. To be honest, I have never read Krakauer and so am unable to compare his approach to Guterson’s.
Q18. To what degree is Neil at fault for ensuing tragedy? Eventually, when Neil explains his failure to get help for John, do his explanations sound convincing?
A18. I think that Neil is not really at fault for John William’s tragedy. I think that deep down he understood that this was John William’s true decision and although he may have tried to convince him otherwise, it was in vain. Although the fact that Neil was unable to visit while his ankle was healing could’ve increased Neil’s sense of guilt towards the situation I do not think that it changed the ultimate outcome. As far as Neil’s explanations for not getting help for John William, in the end it was out of his perception of John’s being and his love for John. Whether or not it was the “right” thing to do, it was what Neil had known would happen. He could never have turned John in and allowed him to be pulled down from the paradoxical pedestal that Neil had placed him on.
Q19. Do you think that it is inheriting the money that allows Neil to finally devote himself to writing, or is it the chance to get John William’s story off his chest.
A19. From my understanding of who Neil is and what John William meant to him, although the money may have provided the practical means for him to devote himself to writing, it was the chance to tell John William’s story that made him follow through. It was the idea of finally allowing some of his most intimate experiences, feelings and secrets to emerge and allow the world to see the “Hermit of the Hoh” who secluded himself from them.
Q20. Would John William want a book written about him?
A20. I think that John William’s response to having a book written about him would’ve been similar to his response of Neil bringing supplies to him. He would’ve felt in some ways ashamed and sold-out but all the same accepted it for what it was. Although, part of me feels that this is completely off-base and that it would’ve been unbearable for him to see a book be written and published into the world he despised with such fierce hatred.
Q21. In what ways can we easily distinguish between Neil Countryman, the narrator telling the story, and David Guterson, the author and creator of the story?
A21. I think that Neil Countryman is more idealistic that Guterson. He sees the world as biased through his own experiences. But to be completely honest, I caught myself many times wondering if this was nonfiction even though I knew that it wasn’t. Neil’s voice was so strong and definite that I felt that I was truly reading the account of true experiences.
Q22. What do the fictional narrator and the real life author have in common? How might we be tempted to confuse the real and the fictional when reading The Other?
A22. I don’t really know what they have in common because I do not know much about Guterson as an author. However, I would imagine that they both have a strong sense of commitment to their work and that they have a large capacity for love and acceptance of people. Beyond that, I am going to have to learn.
Q23. As a writer, what risks does Guterson take in choosing a first-person narrator?
A23. I think that some of the risks that come along in choosing a first-person narrator are to only see as much as a person truly would, also the struggle to separate yourself from the character and then to stay in character and think like he or she would think. Also, in a small way, not to make that character you.